Razor’s Edge (2018) for fretless electric guitar and ensemble will receive its premiere on 19 October at the Transit Festival in Leuven, Belgium, with Nico Couck and Ensemble Interface. Details here.
The new solo CD by Diego Castro Magaš features the complete version of Knokler alongside pieces by Chilean and British composers. It can be downloaded and purchased here (and elsewhere):
https://diegocastromagas.bandcamp.com/releases
On 21 October, at the Sound Plasma festival in Berlin, the Spanish saxophone quartet SigmaProject will premiere the first part of my piece Ariadne, which will have three parts in total. Part II is planned for premiere in Tehran in April.
For more on the festival, see:
Sound Plasma Berlin
For the full programme, see:
http://ackerstadtpalast.de/Sound-Plasma-Festival-for-microtonal-music
VAN magazine has a feature on my censorship letter and the larger context here: https://van-us.atavist.com/rules-of-engagement
For decades, the Donaueschingen Festival (Donaueschinger Musiktage) has stood not only for new sounds, but also for new ideas and discourses, including controversial ones. Whether dealing with world politics or cultural policy, with globalization or equal opportunities in the music industry, there were generally no taboo topics. Continue reading
Die Donaueschinger Musiktage gelten seit Jahrzehnten als Ort nicht nur für neue Klänge, sondern auch für neue Denkanstöße und Diskurse, durchaus auch kontroverse. Ob es nun um Weltpolitik oder Kulturpolitik geht, um Globalisierung oder um Gleichberechtigung im Musikbetrieb, es herrschen in der Regel keine thematischen Tabus. Continue reading
World premiere by the Kairos Quartet in Berlin on 20 February 2018. For audio only (streamable and downloadable) see list of chamber music works.
